AFexhibitions

22 October till 21 November 2009

The PROGRAMME

Alliance Française de Singapour, supported by Conil Gallery Paris, is organising France + Singapore New Generation Artists (FSNGA) this year for the first time in Singapore. FSNGA features a new generation of visual artists from France and Singapore and this exhibition aims to provide a platform which introduces the creative potential of these upcoming artists from both countries to its international audience, hence creating awareness of the emerging styles in art and contributing in shaping the landscape of the art scene. It is also put together to promote an exchange of artistic knowledge, experiences and ideas between the new generation artists from France and Singapore.


FSNGA is planned to be held annually in SG Private Banking Gallery at Alliance Française de Singapour. This year, Alliance will gather a group of French and Singapore artists for the group exhibition that will be held in October. One artist from the exhibition will be awarded a solo exhibition in Alliance Française de Singapour in 2010. The selection for the finalist will be conducted during the group exhibition period.

The EXHIBITION
2 French and 5 Singaporean artists have been selected for the group show in October 2009. Artists selected are: Jack Ying Tan, Muhammad Khairullah, Lionel Descostes, Madhvi Subrahmanian, Tikal Dumas, Lim Zi Sin and Zenn Tan.

Girls from Mekong Delta by Oh Soon-Hwa

17 Sept - 3 October 2009

This project ,“Girls from Mekong Delta,” takes place on a small island in the Mekong Delta area in Vietnam. Many girls from this island married foreigners such as Taiwanese and Koreans so it has been nicknamed as Taiwan Island. My photographic essay focuses on the idea that the way girls’ reasoning their self-identities may be unique given their Asian culture and familial relationships. There seems a conflicting signal to these young women that they are expected to take such a great risk of marrying foreigners for better life opportunities, and at the same time they are somewhat expected to be responsible for the family who were left behind by sending a small amount of money home. It appears that the girls need to be independent but they cannot be totally independent of their own life in order to maintain to be the ‘good’ daughter. 

I am originally from South Korea. I have been living out of the country for 15 years now. At my last family visit, I noticed a growing population of Vietnamese women migrating to Southern rural area of South Korea. While driving around the countryside, I noticed a small banner written “Vietnam bride” with mobile phone number in the middle of nowhere. I called and contacted Korean families through city hall and community center, but social stigma prohibited these newly wed women to speak to outsiders. It was quite impossible to gain access to the Vietnamese women in Korea.  My curiosity of finding out these women’s experience in Korea did not go away.  Since I returned to my current residency, Singapore, I have made some contacts with several Vietnamese journalists and then travelled down to Mekong. I found this small island, Tan Loc, which locals indicated that many girls from that island had married to foreigners. I immediately feel the site was perfect for my photographic exploration.

As expected it took some time to gain access to the community. Past one year I have visited and photographed in that island every 4 months. At my each visit, I stayed in a local house that allowed me to get to know their daily life. As I felt comfortable with the community of people on the island, they gradually opened up their minds. They allowed me to photograph in their houses and helped me to create some of panoramic shots by posing in front of my camera. Hence, it can be said that this photographic essay has been developed in collaboration with the people on the island. And, this body of works reflects the shared experience and emotion between photographer and people on the island. Hence, some of the images are staged but they are completely fictional. The selected photographs were created mainly on that island with families who wish their daughters to marry foreigners or who had already daughters in foreign countries. In documentation of the people and place in this island, I intended to gain an in-depth understanding why these young women make such decisions.

Heart Paintings by Myanmar Master Artist U Lun Gywe

3 - 14 September 2009

THIS EXHIBITION SHOWCASES THE WORK OF U LUN GYWE, A FAMOUS IMPRESSIONIST MASTER ARTIST IN MYANMAR. THE PRESENT STYLE AND TECHNIQUES DERIVED FROM A MIX OF ARTISTIC STYLES FROM THE EAST AND WEST. WITH THE EXPERIENCES AND FINDINGS DURING 64 YEARS OF EXPOSURE, HIS PAINTINGS DISPLAY HIS BOLD AND DYNAMIC ACTION WORKMANSHIP, AND WITH THE USE OF PASTEL COLOURS AND MOVEMENT IN HIS PAINTINGS – THEY REVEAL THE TECHNIQUE MANIFESTED OVER YEARS BY THE MASTER ARTIST.

Indian Harvest


14 -26 August 2009

India and Singapore have a shared history and need to share the future too. Both are nations that have, in the recent past, made rapid strides in fields as diverse as

science and arts, economics and education, technology and agriculture. Both countries see globalization as a phenomenon that will bring their peoples closer.


Art has existed in India for thousands of years. Realizing the importance of encouraging art and culture across geographical boundaries, Crimson Art Gallery

has chosen to bring the exhibition ‘Indian Harvest’ to Singapore. Crimson chose Singapore for its quality art infrastructure and its art-loving people. France too

has given so much to the arts through the ages. French artists of the last two centuries are revered as Masters and spoken of in awe throughout the world. So,

when Crimson considered bringing this exhibition of Contemporary Indian Art to Singapore, the Alliance Française seemed to be the absolute right choice.

From the mountains to the deserts, from the plains to the beaches India has a diversity of people, culture, traditions and languages. The art that has evolved is

linked by the diversity of these influences and by the oneness of cultural thought Its sub-tropical climate has made artists into sun worshipers and this is reflected

in their vibrant colours. The roots of Indian contemporary art can be found in ancient temple architecture. That, and the desire to portray the human condition

have contributed to the preponderance of figurative art in India. However, the relevance of spiritualism, the belief in one’s own energy and a deep yearning for

balance has led to some exciting abstract art being created.

Being Lost, Being Found by Lim Shengen

25 July - 8 August 2009


 

BOXED“To claim a real space through unrealized space” – in a world where lack of space is increasingly growing.


Being Lost, Being Found, is the debut solo exhibition of artist Lim Shengen. Showcasing the hybrid nature of his practice, the exhibition consists an oeuvre of work researched and produced over the span of the last three years. It presents visions of contemporary and accelerated urban living. Based on observations of being lost, Void: Physical, Metaphysical is the main highlight of this exhibition. The installation of multiple light projections offers a static reality that is simulated. The series of photographic images displayed are a collection of landscapes that the artist has wander to in his travels, claiming real space through unrealized space. Boxed, photographs a metaphorical approach toward a metaphysical state by individuals and group of people captured in their habitat. The portraiture series references human gestures captured in historical Daguerreotype prints where sitters of portraiture taken then, look silenced as they are caught by new technology. The works exhibited act as a commentary on the increasing lack of space in modern times and proposes models of coping within an alternative reality.